““crystalline clarity”
”

— SOUNDSLIKESYDNEY

Amy Moore is an adept soloist, ensemble singer, and musical director, with a particular affinity for both Early and Contemporary Music. During her distinguished career in the UK, she performed with many of the leading ensembles, including The Tallis Scholars, Tenebrae, EXAUDI Vocal Ensemble, The BBC Singers, and The English Concert.

In Australia, Amy has performed solo concerts with Sydney Symphony Orchestra, Melbourne Symphony Orchestra, Tasmanian Symphony Orchestra, Pinchgut Opera, Australian Brandenburg Orchestra, Bach Akademie Australia, and Ensemble Apex.

Alongside her performing work, Amy is increasingly sought after as a director, conductor, vocal ensemble coach and voice teacher.

“clear beauty of tone across all registers”

— Sydney arts guide

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DIARY

NEWS & REVIEWS

March 21, 2026

Review: "a duo of like minds" - Homage a Kurtág - Feb 2026 - Art Song Canberra

March 21, 2026

Amy Moore and Edward Neeman rose to all technical demands of this craggy music, with its unexpected leaps, turns, and mood clashes. They presented as a duo of like minds. Admirable also was Moore’s Hungarian pronunciation, learnt especially for this homage, and the ever-attentive dynamic contrasts of Neeman at the keyboard, whether in solo or duet roles. Their broader performing skills were, however, also demonstrated during this recital by the other two works that filled out this Homage program. The introductory Three Melodies (1930) of a young Olivier Messiaen showed the lighter, and French, side of Moore’s soprano profile, while she was perhaps most at home in Schumann’s extensive Woman’s Love and Life cycle, in German, with a story stretching from love at first sight to “the sleep of death”.

March 21, 2026

Review: "luscious comedic chops" - Pinchgut's Platée, Dec 2021; STAGENOISE

March 21, 2026

To assist in this sensible endeavour Jupiter enlists the participation of a mob of only slightly lesser and sillier beings. First among equals is the sexiest bass-baritone satyr on the block, Cithéron (Adrian Tamburini); then Love and Madness – brought to soaring soprano life in a Siouxsie Sioux of a performance by Cathy-Di Zhang. Then David Greco’s rich baritone is a delicious dichotomy in the nonsensical yet uneasy person of Momus, god of scorn and mockery. And Nicholas Jones as both Mercury, the messenger and Thespis the divine of comedy, delivers nuanced and discrete characters and a warmly expressive tenor. (He was an unforgettable Fish Lamb in George Palmer’s adaptation of Tim Winton’sCloudstreet, State Opera of SA).

Also notable: the inauguralTaryn Fiebig Scholar, soprano Chloe Lankshear’s touching solo lament, “O sun, flee this place”; and lyric soprano Amy Moore lending luscious comedic chops to the ensemble.

March 21, 2026

Review: "breathtaking virtuoso" - April 2023 - Bach/Esenvalds; Sydney Symphony/Stephen Layton SYDNEY ARTS GUIDE

March 21, 2026

Ēriks Ešenvalds’ The Passion and Resurrection progressed with seamless shifts in language and energy. Amy Moore sang the part of female characters various with breathtaking virtuoso control from the front of the stage.

March 21, 2026

#walktowork #emergenc/y #opera #cookies A little late posting, but a great day of workshops today! 🎵✨

Owing to illness, @edwardneeman and I are regretfully postponing our Homage a Kurtág for few weeks. MORE DETAILS to follow. If you have already booked, THANK YOU - I will send a message via trybooking. I am OK, and really looking forward to doing this very soon in Sydney. The body does indeed keep the score, but trees, knitting, baking, and cats are great. Not pictured: gardening activities (also wonderfully restorative), and brilliant gorgeous child :-)

NEXT UP with brilliant @edwardneeman HOMAGE A KURTÁG comes to SYDNEY 3pm Saturday 2 May Master Music Studio 80 Wentworth Park Rd Glebe Amy Moore and Edward Neeman present a recital of music for voice and piano in honour of celebrated Hungarian composer György Kurtág, who turned 100 years old in February. Olivier Messiaen - Trois Mélodies Robert Schumann - Frauenliebe und Leben - INTERVAL - György Kurtág - Játékok (selections), Hét Dal, Three Old Inscriptions, Attila József-Fragments (selections), Humble regard sur Olivier Messiaen 🎫 TICKET link in bio @mastermusicstudio.glebe #livemusicsydney #kurtág100 #messiaen #schumann #kurtág

Of course you can expect more quality kitten content, but in the meantime I’ve updated the teaching page of my website. Link below and in bio https://www.amymoore.me/voice-lessons-and-coaching #classicalvoiceteacher #singersofinstagram #voiceteacher

#pretty #clouds #canberra #kurtag

Joyous rehearsals last weekend with the absolutely INCREDIBLE @edwardneeman ✨✨✨ Canberra- don’t miss this! Homage a Kurtág Sunday 15 Feb 3pm Hungarian Embassy Schumann, Messiaen, Kurtág 🎵❤️🎂 #singersofinstagram #canberramusic #messiaen #schumann #kurtag100

TRIGGER WARNING 🕷️ Arachnophobes, look away #friendlyhuntsmanspider #boristhehuntsman #newfriend #whereisboris #

I have a few spots opening up for singing students in 2026 - DM me for deets ✨ Located Kogarah, Sydney. #singersofinstagram #voiceteachersofinstagram #classicalsinger

#poopergram #ragdollsofinstagram #cats_of_instagram #ragdoll #cutestergram

POOPERGRAM: the update you have all been waiting for #poopertheragdoll

2025: A year of lessons. 2026: A year to CREATE. BRING. IT. ✨🔥🦋❤️🎵🪐🙏 Alt text: A picture with hand-drawn Scottish thistle flowers, with the Scots text “Whit’s for ye’ll no go by ye”, meaning “whatever’s meant to happen will happen”.* [* I grew up hearing this expression, and it speaks to trusting one’s own journey, even if it is sometimes non-linear!] #trusttheuniverse #ready #inspiration #musician intentio

End of an era… As we farewell the company, I want to give a huge shout-out to my Co-Artistic Director of @thesongcompany - inspirational artist, energetic powerhouse, ⭐superstar, and all-round brilliant human, @jessicaodonoghue - a woman who can wield either ONE tambourine or TWO tuning forks whilst singing (but who hasn’t yet been seen wielding all three in public to my knowledge): It has been a TOTAL privilege to share an office, a Google Drive, and a stage with Jess since we led TSC into its new artist-led model at the start of 2023. I have learned so much from collaborating with her, and it has been a joy from start to finish. ❤️ Former Board Chair, Jack Percy, in his email engaging me to direct the first program of 2023 in the new operating model, hoped the program would be about: “renewal … the intent to combine the old with the new, the serious with the lighthearted, the contemplative with the energetic and the familiar with the surprising, underpinned by our commitment to excellence and the transformative beauty of the human voice… No pressure!” Since then we have put on 12 different touring programs, and received fantastic reviews. The transformative beauty of the human voice has remained central to our artistic vision. It has been an extraordinary privilege to share this artistic journey with both Jess and the singers, and I am incredibly grateful for their support, their artistry, and the many gifts they have brought to our work. 🙏 Jess and I are both so proud of what we’ve achieved artistically with the core ensemble, and of what we have built from scratch with the Developing Artist Program (generously supported by the @ianpotterfdn ). To our audience and supporters, we express our heartfelt gratitude for their support, and for the enthusiasm with which our programs have been received. We wish the company well as it moves into a new era. @timothyreynoldstenor @hayden_barrington @andrewpoconnor @louis.hurley and @susannahlawergren - sorry about that final picture, courtesy of Peter Hislop - I couldn’t resist!😂 Photos also courtesy of @oliver_richard_miller and @keithsaunders